机器人总动员里面两个主角的英文名
机器人动员中两个主角的英文名称为wall.e and Eve。
wall.e
娃ll.e是电影“ Robot娃li”的虚构人物，也是电影的主角。他是娃ll-E的虚构模特。后来，他爱上了新的异质植物检测女性机器人EVR，但被称为伊娃 伊娃）。
前夕
夏娃（夏娃）是光滑的，探测机器人。她的任务是调查地球上的植物，以确定它是否适合人类生存。她的右臂配备了扫描仪和可回收的电枪，后者使她能够处理一些小麻烦。EVE始终没有时间照顾他的工作。直到一天，她遇到了瓦利，这两个机器人白天和黑夜都有情绪。-evaluator
扩展信息
“机器人故事”的主要角色：
1.队长
航天器上唯一的指挥官，每天的常规行业，都反复检查航天器的状态。就像瓦利一样，他还希望摆脱这种无聊的无聊生活。学习新发现的新发现，有关检测机器人的新发现，他的勇气终于唤醒了队长，然后他带领人类踏上了新的旅程。-英文
2.微生物清洁剂
负责登陆航天器的外部污染物负责航天器的推出。当瓦利（Wali）登上航天器时，M-O就像敌人一样，因为瓦利（Wali）是他见过的最肮脏的机器人。为了清除瓷砖上的垃圾残留物，随后是M-O，然后立即进行了猫和老鼠游戏。-evaluator
求英文名字
Ka格n的Kag安翻译；花源。说明思想家很热。德v尔e翻译了德wir。说明来源。摇篮翻译尚不可用。解释摇篮。克on翻译了名字克i韦on；花园; Huayu安。解释上帝是至高无上的慈善。贾迪翻译了jey蒂；亚蒂;哈迪;阿迪；贾迪。说明凤凰源翻译尚不可用。解释来源。恩da翻译成恩da； Yu安ti安; Yu安ti安。解释圣徒飞鸟。 Ce慈lio转化为塞西尔；塞西尔；塞奇利奥。解释人源塞西尔。 Grada的Graja翻译；格拉达。说明光源很高。 Atwell的Atvor翻译。解释艾的翻译，说Mall Spring哈耶；海耶；干草。解释起源的起源。温妮翻译了温妮。解释和平与公平。拉tim尔翻译了拉蒂默。解释翻译人员的可再生能源。基特的基特翻译。解释Zh恩yu安传奇大厅。奥尔顿翻译了奥顿；阿尔登。解释旧城区的起源。塔塔翻译太多了。很多;塔塔。解释行业起源的起源。非洲翻译非洲。解释可追溯的非洲。布雷克翻译了黑色；布拉克。解释淡布莱克黑色可追溯性。蒂ns默re翻译了Tintos默re。解释要塞要塞。桑福德翻译了名字桑福德。解释福特萨斯拉斯·光源洛恩（Lorne）译的lorne;洛德纳。解释来自英国的一个地方名称。摩尔翻译了摩尔；摩尔摩尔默ll尔。说明黑色单词的完成。芬坦的芬坦翻译；菲丹； F恩D安;芬特人F恩谭。说明Huoyu安布lls和布lls脸红和白发。埃维尔的Yue尔翻译。解释勇士的春天和河的开始。安glesey的安格尔斯翻译。解释源自安G西（威尔士西北部的岛屿之一）。-英文
傲慢与偏见英文鉴赏
~~~~《傲慢与偏见》英文读后感
MISS AUSTEN never attempts to describe a scene or a class of society with which she was not herself thoroughly acquainted. The conversations of ladies with ladies, or of ladies and gentlemen together, are given, but no instance occurs of a scene in which men only are present. The uniform quality of her work is one most remarkable point to be observed in it. Let a volume be opened at any place: there is the same good English, the same refined style, the same simplicity and truth. There is never any deviation into the unnatural or exaggerated; and how worthy of all love and respect is the finely disciplined genius which rejects the forcible but transient modes of stimulating interest which can so easily be employed when desired, and which knows how to trust to the never-failing principles of human nature! This very trust has sometimes been made an objection to Miss Austen, and she has been accused of writing dull stories about ordinary people. But her supposed ordinary people are really not such very ordinary people. Let anyone who is inclined to criticise on this score endeavor to construct one character from among the ordinary people of his own acquaintance that shall be capable of interesting any reader for ten minutes. It will then be found how great has been the discrimination of Miss Austen in the selection of her characters, and how skillful is her treatment in the management of them. It is true that the events are for the most part those of daily life, and the feelings are those connected with the usual joys and griefs of familiar existence; but these are the very events and feelings upon which the happiness or misery of most of us depends; and the field which embraces them, to the exclusion of the wonderful, the sentimental, and the historical, is surely large enough, as it certainly admits of the most profitable cultivation. In the end, too, the novel of daily real life is that of which we are least apt to weary: a round of fancy balls would tire the most vigorous admirers of variety in costume, and the return to plain clothes would be hailed with greater delight than their occasional relinquishment ever gives. Miss Austen’s personages are always in plain clothes, but no two suits are alike: all are worn with their appropriate differen AS we should expect from such a life, Jane Austen’s view of the world is genial, kindly, and, we repeat, free from anything like cynicism. It is that of a clear-sighted and somewhat satirical onlooker, loving what deserves love, and amusing herself with the foibles, the self-deceptions, the affectations of humanity. Refined almost to fastidiousness, she is hard upon vulgarity; not, however, on good-natured vulgarity, such as that of Mrs. Jennings in “Sense and Sensibility,“ but on vulgarity like that of Miss Steele, in the same novel, combined at once with effrontery and with meanness of soul
Pride and Prejudice is a chefdoeuvre. But my first impression of this story was from screen.
It’s long long ago, maybe before I can read english books. I don’t remember which movie edition I had seen. But I was impressed by the music, the scenery and the costume. I was very favor of a section of music in its balls. It’s pretty brisk, liked a wonderful song of a bird. Regarding to the characters, I liked Elizabeth, the heroine,though I didn’t think she’s beautiful. But she’s smart. However, I didn’t pay much attention to the plot. I thought it’s so long that it made me impatient and bored. By now, I haven’t read the whole story in English or its Chinese version, either. I owe it to my prejudice.
In fact, I didn’t understand the story at that time. I didn’t know why it called Pride and Prejudice. Of course someone was pride, but I didn’t find where’ s the prejudice. I thought it’s normal, the way people treated each other in that. I considered prejudice would be very disgusting. But to the movie everthing was OK in my minds, except its length. Now, I think I have understood more about it. I’m a prejudiced person so I can’t find where’s wrong. I merely like to do the things I like. Everytime I meet somebody or something,my thinking about he or it all depends on my foregone experience and my mood of the time. I like it so just like it, if not so just not. I’m a person thinking by heart not by brain. What is worse, I actually didn’t think it’s wrong. I thought everyone is all like that.Everyone has his special way to cognize the world. So it’s individuality, not prejudice. But I think something is wrong. Though everyone can judge in the way he likes, he can’t ignore other ones. You can like what you like and hate what you hate, but you should be objective when you meet external world. I think it means that you should consider things roundly, not just partial. Individuality is different from prejudice. What is it? I need to think more.
-evaluator
